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Literature Text
trust is like a two-person tug of war and
you are a piece of gum, chewed then spat out.
trust should work like a traffic light.
what do you do when you start seeing his
hands in the form of bruises? when he stops
communicating unless it's in the form of alcoholic tang,
letters written on your tongue with his?
what do you do when the cold you start to feel doesn't
come from the outside, but in, and his body heat cannot
seep into your bones?
you bleach your hair and paint makeup over your
skin and try to become the kind of girl you never were.
you trust him until the red staining his lips isn't your own blood but
lipstick. you trust him even when he leaves in the morning.
the name in his phone book is call girl,
make me feel good girl,
make me feel so much larger than I am girl.
your number is scribbled under it.
there are strands of bleach-blonde hair caught between the pages.
love is a two way street. you can't take what
there isn't left to give.
he takes away portions of your heart and
you don't even notice. you don't notice until he suddenly
rips the whole thing from your chest, your ribs cracking,
leaving a crater in your blood vessels and
you cannot breathe.
a year later, when you ask to have it back,
he's already eaten it.
red lipstick stains his incisors.
you are a piece of gum, chewed then spat out.
trust should work like a traffic light.
what do you do when you start seeing his
hands in the form of bruises? when he stops
communicating unless it's in the form of alcoholic tang,
letters written on your tongue with his?
what do you do when the cold you start to feel doesn't
come from the outside, but in, and his body heat cannot
seep into your bones?
you bleach your hair and paint makeup over your
skin and try to become the kind of girl you never were.
you trust him until the red staining his lips isn't your own blood but
lipstick. you trust him even when he leaves in the morning.
the name in his phone book is call girl,
make me feel good girl,
make me feel so much larger than I am girl.
your number is scribbled under it.
there are strands of bleach-blonde hair caught between the pages.
love is a two way street. you can't take what
there isn't left to give.
he takes away portions of your heart and
you don't even notice. you don't notice until he suddenly
rips the whole thing from your chest, your ribs cracking,
leaving a crater in your blood vessels and
you cannot breathe.
a year later, when you ask to have it back,
he's already eaten it.
red lipstick stains his incisors.
Literature
the dead and the dying
the funny thing about
humans is that
we think we are
invincible and immortal
gods.
no—
we're all
roadkill,
living in
a tainted world
where cars drive
too damn fast.
and me,
well,
i just try to
get by without
being hit
more than once.
Literature
unarticulated
tonight I ask myself:
where are you going with all these names
in your pockets? syllables that taste
unauthentic in the desperate American
mouth.
repression is a series of images
golden streetlights
blinking
pedantically
earthbound angels breathing
flame, starving hands speaking
in tongues, glazed eyes
asking are you fucking okay
pale skin becoming moonlight,
reflecting and refracting and
the quiet understatement
of listless
lips.
mutual poison.
Literature
you can find my heart in the Pacific Ocean
on the night of salt and leftover secrets, i tell him about
the Pacific Ocean, how in Mexico, they say that it does not
retain memory.
you can walk to the edge and curl a million secrets
under your tongue and spill them all at once and
the water will drop them the second it picks them up.
he and i have never been fond of life jackets and the Pacific Ocean
is much too deep to swim in. if you look closely, you can see the
floating bodies of those who tried to cheat love but drowned in the process.
see, humans are not like the Pacific Ocean. try as we might,
we will never forget the taste of robust love or the way a smile
feels after a
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full title: don't forget about me, because you'll find the rest of my bones in the graveyard
alt. titles: my breastbone from last night's dinner is your treat tonight
you're a wolf and your favorite meal is my spine
it's been a long time since i've used a long long title and it just felt so fitting.
this is a jesus allegory in a very non-fiction type poem. this is about reality. this is about the fact that life will pass you by and i'm so tired of missing it. maybe this is a death allegory. i don't know. i write too many allegories and second person is my natural habitat. this is not about you, this is about me, maybe that's why it's a death allegory.
if you're afraid of wolves, don't go to the forest.
and that's why i won't love again
alt. titles: my breastbone from last night's dinner is your treat tonight
you're a wolf and your favorite meal is my spine
it's been a long time since i've used a long long title and it just felt so fitting.
this is a jesus allegory in a very non-fiction type poem. this is about reality. this is about the fact that life will pass you by and i'm so tired of missing it. maybe this is a death allegory. i don't know. i write too many allegories and second person is my natural habitat. this is not about you, this is about me, maybe that's why it's a death allegory.
if you're afraid of wolves, don't go to the forest.
and that's why i won't love again
© 2014 - 2024 A-Lovely-Anxiety
Comments12
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you are just a treasure trove of beauty and wealth of artistry, darling. always remember that, alright?